Jerry Joseph

High Sierra Troubadour Sessions

Jerry Joseph

Shelley Doty, Fred Torphy, Marc Friedman (The Slip, Surprise Me Mr. Davis, Big Light)

Wed, January 16, 2013

Doors: 7:00 pm / Show: 8:00 pm

Brick & Mortar Music Hall

San Francisco, CA

This is a Free Show!

This event is 18 and over

Facebook comments:

Jerry Joseph
Jerry Joseph
Some songwriters just strike down to the heart of things. Even when they're being tender they nail you in the soul's solar plexus, shaking us with words and wires and something inescapably human. Jerry Joseph is this kind of composer - a rocker with emotional scalpel that cuts deep every time. He wears his influences on his sleeve - Elvis Costello, Neil Young, John Lennon, Steve Earle - but tailors them in ways that are always distinctly himself, probing the politics of love and nations with equal dexterity. By turns tough and unbelievably bruised, Joseph's work manages to be joyfully pissed off and achingly bittersweet, often within the space of just a few verses. There's a healthy restlessness to his music, a stripe of his modernity and tireless engagement with the world that places him next to younger contemporaries like Conor Oberst (Bright Eyes) and Ryan Adams.

Joseph has worked tirelessly since his late '80s/early '90s days in Little Women, averaging an album a year since 1994. Often live-on-the-floor affairs, there's an immediacy and personal reach to his albums like kindred spirits Chris Whitley and Vic Chesnutt, his fellow toilers in the under-sung singer-songwriter field. Like the best musicians, there's always a forward motion to his work, some force that compels things ahead from where they've been, something one hears loud & clear on his latest project, The Denmark Veseys, a malleable band named a controversial slave revolt leader from the 1800's and based around the core of Joseph and master percussionist Steve Drizos that released their self-titled debut in early 2008, which ranges from the Buzzcocks-like punk pop of "Helena Bucket" to the masterful Americana sway of "Cochise" to incendiary agit-prop rockers like "Ho Chi Minh." Produced by David Barbe (Drive-By Truckers, Son Volt), the new record has the measured intelligence of craftsmen able to whisper and scream on several levels at once, a callback to a time when real musicians made thoughtful rock 'n' roll albums that thrive on repeat, revealing fresh details and nuances over time hidden amongst the lesions and frustrations Joseph & Drizos etch so eloquently on their debut.

All the miles and stage hours of this tireless road dog simmer into his recordings, which manage to capture some of the brilliant flame of his take-no-prisoners live performances. There's an intensity to Joseph that dates back to his early days in could-have-contenders Little Women in the late '80s and continues through his collaborations with jam scene kings Widespread Panic ("Climb To Safety") and pleasantly eviscerating releases with his Jackmormons band like Mouthful of Copper, a 2003 live double disc set that showcases the fury and focused intelligence Joseph brings to his music. Creatively restless, he has crafted acoustic ruminations (2004's Cherry) and muscular rock cycles (2005's Into The Lovely), always keeping himself open to where the muses will steer his passionate, beautifully jaded songwriting.

Currently living in Harlem, NYC, he's a tireless listener to everything that comes his way, filtering in the hip-hop of Aesop Rock and Jamaican strains that drift through his window as easily as he incorporates the more brainy, confessional strains of his core inspirations. He embodies original rock's boundary-free spirit that pulled happy handfuls from country, blues, jazz and folk to create something that struts and wails. From dub to backwoods laments, his music stretches to incorporate whatever is flipping his switch at a given moment, yet always grounded in something indefinably Jerry J. This free-ranging is most delightfully loose in the Stockholm Syndrome, his on-again, off-again collaboration with Dave Schools (Widespread Panic), Eric McFadden (EMT, P-Funk), Wally Ingram (David Lindley, Sheryl Crow) and Danny Louis (Gov't Mule), where the boys can swing from roadhouse hard to psychedelically bent.

"Usually, if I think something's cool it stays with me," says Joseph. "When I write I go to my brother's house in Mexico, and I don't write with drum machines or four-tracks. I tend to write on just acoustic guitar, and sometimes I can get out a couple songs a day if I'm in the groove. I'm finally getting old enough that I might actually get good at this (laughs). I think the writers that are aging and growing with their art are fascinating. This is really the first time with pop music that we've been able to watch people get old. If they're cool and writing about it, like Dylan or Neil Young, they're sort of documenting the process. In my own broken way, I'm trying to do that, too."
Shelley Doty
Shelley Doty
Labeled "a future legend" by one reviewer and a "guitar goddess" by another, Shelley Doty is considered one the best independent performers in the business. Watching her perform is awe-inspiring due to her masterful guitar licks, soulful voice and charismatic stage presence. As a songwriter, she creates articulate songs for today by sprinkling them with respect for the music of her youth (rock, R&B, jazz, funk). Shelley sings with passion and plays with an authentic raw energy that cuts through the air with jubilant imagination and freshness. Her brand new CD "Over The Line" is now out and available via CD Baby.
Fred Torphy
Fred Torphy
Fred Torphy writes interesting songs - structurally simple, while emotionally, rhythmically and tonally complex. As the bandleader of San Francisco's own Big Light, Fred is usually busy writing for the band's cadre... but more and more frequently around town - and up and down the California coast - you can catch Fred either by himself with a guitar (and/or backed by one of any number of instrumental collaborators), on stage, singing and playing his songs. Hard-pressed to draw comparisons or cite influences, there's a little bit of a lot of things in Fred's music.

What's most interesting and most memorable is what of himself he's put in there... a well-developed, signature guitar technique and a fast-evolving, unique vocal style are marking his newest material as the most original to date. As Fred guides Big Light through a studio process that will end in an LP to drop in early 2012, try and catch him solo to get a closer look into one of modern rock and roll's most interesting minds.
Marc Friedman (The Slip, Surprise Me Mr. Davis, Big Light)
Marc Friedman (The Slip, Surprise Me Mr. Davis, Big Light)
Marc Friedman (The Slip, Surprise Me Mr. Davis) has moved to San Francisco and is now a full-time member of Big Light. Friedman has appeared on stage with the band over the last three years, standing in for Steve Adams (ALO) here or there. However, Marc's participation in the last year and a half hasn't been limited to filling in on bass. Friedman has produced and performed on Big Light’s forthcoming LP, entitled The Well Wishers (arriving Fall 2012). Steve Adams is by no means "leaving the band" in that rock band cliché kind of way assures Big Light, who want to assure fans that Adams will always remain a collaborator, contributor and close member of their family.
Venue Information:
Brick & Mortar Music Hall
1710 Mission Street
San Francisco, CA, 94103
http://www.brickandmortarmusic.com/